I'm in a bit of a slump right now. I don't seem to be able to find a direction. I have pieces ready to send out, but cannot find the right place to send them. Either submission windows are closed or I don't see me in that particular magazine. I'm loath to send to anymore competions at this time. Has anyone else noticed how entry fees have gone up? I did send to one competition this week, but I cannot justfy spending that much every time. I have to weigh up the fee against the prize (and my chances??).
Even my projects have come to a stand still. However, I am toying with the idea of taking an in depth Flash Fiction course. It's expensive, hence the hesitation.
However, a few good things happened at the end of last month. My poem, How it Began, was published by Amethyst Journal. This poem came out of an article I read which fascinated me. When people ask where I get my ideas from, reading is one of them. It can be very random, and certainly this poem wouldn't have been written had I not read the article.
The other great thing was attending Out-Spoken at the Purcell Room at the Queen Elizabeth Hall, Southbank Centre with a friend. We found out that this is a monthly event, and we enjoyed it so much we are going back again this month!
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Kim Moore |
The evening consisted of three poets and two musicians. I'd particularly wanted to see Kim Moore, whose poetry book The Art of Falling, I have read. This time she read from her latest book, All The Men I Never Married. I loved her quip to the late arrivals, 'Sorry, you've missed the penis poem', or words to that effect! During the interval, I bought her book along with Improvised Explosive Device by Arji Manuelpillai, who was the first reader of the evening. His poetry was like nothing I had heard before and based on extremism, and why people act the way they do. He'd interviewed people including Tamil Tigers and an EDL member, and researched articles.
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Arji Manuelpillai |
Mark Waldron's started off his session with a poem about a Lawnmower Museum. It was so funny everyone was roaring with laughter. He had a mix of funny poetry and poetry taken from folk and fairies tales. I particularly liked his funny poetry. It makes a refreshing change, as most poetry is serious and often dark.
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Mark Waldron |
The musicians were Jay Verma, a UK-based jazz pianist, and Jamie Leeming, a jazz guitarist. I'm not a fan of jazz, but I wouldn't have called Jamie Leeming a jazz guitarist. I enjoyed his music, and was fascinated by his use of a loop machine.
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Jamie Leeming |
I found the evening inspirational and it left me with a buzz. It's good to see what poets are writing these days.
Finally, I have been asked my Mothers' Union Branch to give a talk on my writing experience, so I have been busy putting together information and making A5 booklets with a combination of flash and poetry I've had published to give away on the night. I should add that I've been a member of this branch since my eldest son was a toddler. I'll tell you how it went next time.
Now back to the slump!
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